Marie
Le
Moigne's
practice
bridges
visual
arts,
literature,
and
critical
reflection.
Holding
a
Master’s
in
Fine
Arts,
Visuals,
and
Space
from
ERG
Brussels,
she
explores
intersections
of
feminism,
memory,
and
embodiment
through
artistic
and
written
work.
Her
photography
and
installations
have
been
exhibited
internationally,
including
Paris,
Berlin,
Beijing,
and
Arles,
engaging
with
how
images
construct
narrative
and
perception.
Recent
exhibitions
include
Les
Rencontres
d’Aubergine,
Nuit
Blanche
Paris,
and
the
Festival
Impulse,
where
her
analog
series
reexamines
the
boundaries
between
image,
text,
and
lived
experience.
Reuben Brown is a visual artist and researcher whose work navigates the spatial, archival, and embodied dimensions of queer club culture. Based between Belfast and Dublin, his ongoing project club [construction] examines nightlife as a site of memory, resistance, and communal authorship. Through experimental exhibition-making and participatory inquiry, he transforms ephemeral gestures into critical forms of preservation. His installations and performances explore how sound, movement, and architecture shape identity and visibility, situating queer spaces as living archives that challenge normative temporalities and aesthetics.
Veera Romanoff is a Finnish artist and architect whose practice bridges functionality and emotion, architecture and abstraction. Rooted in the expressive legacy of Fauvism, her works unfold through bold color, rhythmic form, and the chromatic tension. She transforms everyday stillness into dynamic visual conversations between order and chaos, precision and freedom. Driven by design thinking and material sensitivity, she explores how space, structure, and perception intertwine. Exhibited internationally, her paintings and spatial compositions evoke an architecture of feeling, where aesthetic intuition and formal rigor is in constant motion.
Nicola Bertoglio is an Italian multidisciplinary artist whose practice unfolds through iPhoneography, a contemporary form of photographic expression. Grounded in the aesthetics and constraints of the medium, he transforms everyday captures into dreamlike compositions that blur the line between image and imagination. Influenced by Jungian analysis, Bertoglio layers multiple images to construct narratives of the subconscious. Printed on aluminium plates, his works evoke the surface of a screen, merging digital immediacy with material permanence and exploring the fragile boundary between memory, technology, and inner vision.
Sepideh Takshi is an XR artist and interdisciplinary researcher exploring how technology reshapes memory, identity, and collective imagination. Rooted in the concept of the decolonisation archive, she merges AI, XR, and glitch aesthetics to reimagine how data and time narrate experience. She investigates the poetics of code and the politics of digital preservation. As creator of One Thousand and One Nights, a web-based generative storytelling platform, she connects oral heritage with AI-driven language, transforming archives into dynamic, living spaces of interaction, resistance, and renewal.
